Cinema

The 22nd French Film Festival kicks off on March 20, showcasing top French cinema, classics, and emerging directors across Israel’s major cinematheques.

The movie is a telling look at the way we live now, when the gap between those struggling to pay the rent and those who are super-wealthy has never been greater.

You can expect a few red Artist4Ceasefire pins on the red carpet – even though there actually is a ceasefire now – and likely no yellow-ribbon pins.

Phinehas Veuillet’s 'Neither Day Nor Night' delves into the struggles of a newly religious Mizrahi family in Bnei Brak, exposing deep-seated biases in Haredi society.

Despite its Oscar buzz, The Brutalist is a tedious, pretentious mess that tests audience patience with its excessive length and heavy-handed messaging.

Louis Kemp, Bob Dylan’s childhood friend, relives their shared past while watching A Complete Unknown, the new biopic capturing Dylan’s rise to fame.

The festival will open with a screening of In Jerusalem, a short film by David Perlov known for its poetic look at the divided city in 1963.

At Haifa Film Festival, Oscar-winning director discusses France’s antisemitism.

A tribute film about Spielberg at the graduation outlined her career, and its narrator noted, “Nancy fights to make the Israeli voice heard, connecting her love for cinema with her love for Israel.

These provocative performances inflame hatred against Israel and Jews, and incite acts of violence against them.