TV Time: A new KAN documentary explores Meyer Lansky’s criminal empire, Jewish identity, and surprising ties to Israel, alongside reviews of new streaming additions including E.T. and Ian Fleming.
The winners will be officially honored at the 70th ACUM Awards Ceremony on Monday, October 19, at the Creative House at Tel Aviv Port.
This particular adaptation of J. M. Barrie's classic story initially premiered in 1988, with the titular character having been played by Hanoch Rosen, who now takes the director's chair.
As Bardanashvili aptly put it, Yitzhaki’s dedication is “a gift to everyone – to the audience, to the history of music, and especially to composers.”
If I have one quibble with the documentary, it’s that it does not give a full sense of the album, that the songs are a journey through the mind of a child who can’t fall asleep.
The move marks the latest development in an affair that began with an investigative report and recordings in which Eliasi was heard boasting about his connections within the Israel Police.
In the new play, Sderot Women’s Theater Ensemble uses black comedy to process the October 7 massacre.
The lineup included an opening set by DJ Laroz, followed by Beit Habubot, a major Israeli pop-rock band, and Shotei Hanevuah, known for blending reggae, dub, hip-hop, and Middle Eastern melodies.
If your idea of poetry is a neatly rhyming ditty, attending the festival should thoroughly disabuse you of that constricted notion and open up broad new vistas for your literary epiphany enjoyment.
“We understand we can show Jerusalem in a different light,” says artistic director and co-director Doron Gallia-Kind. “Not the one shown in newspapers and on the news."
Dan David Prize winner Prof. Max Bergholz on how ordinary people are swept into violence.
